She saw the London of the future. Not the vision popular just then: a soaring whirl of machinery in motion, of moving pavements and flying omnibuses; of screaming gramophones and standardized “homes”: a city where Electricity was King and man its soulless slave. But a city of peace, of restful spaces, of leisured men and women; a city of fine streets and pleasant houses, where each could live his own life, learning freedom, individuality; a city of noble schools; of workshops that should be worthy of labour, filled with light and air; smoke and filth driven from the land: science, no longer bound to commercialism, having discovered cleaner forces; a city of gay playgrounds where children should learn laughter; of leafy walks where the creatures of the wood and field should be as welcome guests helping to teach sympathy and kindliness: a city of music, of colour, of gladness. Beauty worshipped as religion; ugliness banished as a sin: no ugly slums, no ugly cruelty, no slatternly women and brutalized men, no ugly, sobbing children; no ugly vice flaunting in every highway its insult to humanity: a city clad in beauty as with a living garment where God should walk with man. Miss Tolley appeared to be getting muddled. “Whose boy?” she demanded.!

“Yes,” answered Madge. “It used to be a custom. Young men used to ask young women to marry them. And if they consented it was called ‘being engaged.’ Still prevails, so I am told, in certain classes.” “We won’t despair of her,” laughed Joan. “She’s creeping up, poor lady, as Whistler said of her. We have passed the phase when everything she did was right in our childish eyes. Now we dare to criticize her. That shows we are growing up. She will learn from us, later on. She’s a dear old thing, at heart.”

Flossie ’phoned her from Paddington Station, the second day, and by luck she happened to be in. Flossie had just come up from Devonshire. Sam had “got through,” and she was on her way to meet him at Hull. She had heard of Joan’s arrival in London from one of Carleton’s illustrated dailies. She brought the paper with her. They had used the old photograph that once had adorned each week the Sunday Post. Joan hardly recognized herself in the serene, self-confident young woman who seemed to be looking down upon a world at her feet. The world was strong and cruel, she had discovered; and Joans but small and weak. One had to pretend that one was not afraid of it. “He had his own private theatre,” Joan explained, “where Wagner gave his operas. And the King was the sole audience.” “So am I,” he said. “Tell your children what you have seen. Tell other women.”